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At first nobody wanted them. Van Gogh painted four images of sunflowers in a pot, and then three copies that depart in many details from the originals.
Having been invited to show work alongside Les Vingt, an avant-garde group of 20 artists in Brussels, in January 1890, Van Gogh consulted his brother Theo as to what he should send. Theo recommended the sunflowers and explained why. "I've put one of the sunflowers on the mantelpiece in our dining room. It has the effect of a piece of fabric embroidered with satin and gold, it's magnificent." But such richness and beauty, achieved by means of Van Gogh's stark simplicity and strong colour, was not apparent to others. The artist Henry de Groux threatened to remove his own work from the 1890 exhibition if he found it in the same room as "the laughable pot of sunflowers by Mr Vincent".

In Vincent's mind, nature and art were companions. "Always continue walking a lot and loving nature," he told Theo, "for that's the real way to learn to understand art better and better. Painters understand nature and love it, and teach us to see."


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